I finished writing music for episodes 4 and 5 of Stand-Up Guy, which may be the end of my involvement with that series. I’ve put all non-paying projects on hold until my schedule and budget become more predictable. My friend Ryan Pierson (of At Best Derivative) asked me to write music for his upcoming short noir film “Of Blood and Gin”, so hopefully I’ll have time to fit that in.

Bad Cactus Brass Band continues to stay busy. We have lots of exciting shows coming up (see the calendar in the upper right), and are still finalizing plans to record our first album at a live show in the next few months. We’d love to see you at a show sometime!

I’ve had a nice break from composing, but it’s time to jump back in. This month I’ll be working on the latest episode of Carol Benwell’s “Stand Up Guy”, and writing music for a short film by the Rebel Filmmaker AZ Group titled “Of Blood and Gin.”

At One Light Music, we finally released the first-ever complete karaoke Messiah, which helped push Spiritrax through a great holiday season. We’ve done a few musicals for Desert Stages Theater and a Sondheim collection for Stage Stars Records. We’re also working on some extensive back-end changes to improve the functionality of Productiontrax and give it room to grow.

In composing, I finished the music for “Got Milk?”, a short comedy by Chris Redish. It’s included as a bonus on the DVD with his film “20% Off”, and it’ll be making the festival rounds over the next few months. It’s not available online- some of the festivals he’s entering it in won’t screen it if it’s been broadcast. I also wrote a theme for Carol Benwell’s web comedy series “Stand Up Guy”, and scored episode 3, “Good Cop Bad Cop”.

Work has been busy. We finished a huge musical for Desert Stages, and I’m doing a batch of miscellaneous tracks for Stage Stars Records, and then hopefully turning my attention to finishing the Messiah and bulking up the winter holiday content on Spiritrax. Productiontrax has been growing by leaps and bounds too, particularly the stock video section.

Some other news: At Best Derivative has been picked up for distribution! The entertainment company that bought the rights is aiming to re-release the 2-disc DVD nationwide on November 17th. I’ll be very curious to see where it ends up- if you see it at a video store, or on demand in a hotel or something, let me know!

Bad Cactus Brass Band- photo by Stephen Messer

In composing, I’m finishing up “Got Milk?” with director Chris Redish, and looking forward to working on the new episode of “Stand Up Guy.”

In the composing department, I’m finishing a 5-minute comedy for SCC senior Chris Redish, entitled “Got Milk?” I’ve also been offered the next episode of the web comedy series Stand-Up Guy by local producer Carol Benwell, so that’s next in line. And Ryan and Jeremy (of At Best Derivative-fame) are starting pre-production for their next movie, a historical Western about Arizona lawman Commodore Perry Owens. I’m super-excited to do another feature- but I’m also glad I have another year or so before it takes over my life. Speaking of, the DVD of ABD has finally been released- it’s at the Friar’s Lantern store.

The Bad Cactus Brass Band has had a promising first month. We’ve recorded a solid demo, which is up at badcactusbrassband.com, and band photos and gigs are in the works. Our first show is on July 8, opening for the Sugarthieves at the Sail Inn.

I’ve also been practicing trombone every morning before work. Besides Bad Cactus, I’ve played this month with Renee Patrick, the Sugarthieves, the Jazz Alliance, and David Bernstein, as well as at the jam sessions at Pita Jungle and 98 South in Chandler.

Latin Chillout

Trance

This is really my job? Really?

Soundtrack CDs, DVDs of the movie, and other ABD-related paraphernalia will be on sale here sooner or later, but for now, you can send me $10 through PayPal (benjiemesser at gmail.com), or email me for my postal address and then mail me a check for $10. Either way I’ll send your CD via Pony Express.

Do you have your tickets yet?

Mirrormask- This is probably my favorite film score to date. It’s by a British saxophonist named Iain Ballamy. The music has a hundred colors, and it’s largely played by six guys, who also appear in the movie as an integral part of the plot. It’s a fantasy film, and the way the music changes to transport the viewer from the real world to the fantasy world is just awesome.

Brazil- Probably my favorite movie ever, and not least because Michael Kamen’s score makes me laugh out loud. Tremendously creative use of a single song.

Brick- This movie came out in 2008, and I’m totally cheering for and following this brilliant young director Rian Johnson, and his brother Nathan Johnson, who did the music. Nathan runs a band in Boston called the Cinematic Underground that performs on homemade instruments- it sounds like an indie punk vaudeville thing, I can’t quite tell- and his score for Brick is both perfect and very unconventional- very spare and eerie, lots of weird sounds. They have a new movie coming out this summer, The Brothers Bloom, that I’m looking forward to.

Batman- This is probably my favorite “big fat superhero” score. It was Danny Elfman’s first “big fat big-budget hero” movie- he’d mostly done goofy movies up to this point: Pee Wee’s Big Adventure, Edward Scissorhands, etc.- and I think he really created a new masterpiece in the genre. Of course since then he’s done a ton of these- I also love his recent score for Ang Lee’s Hulk, but then I sort of identify with the main character, so…

Twin Peaks- I know- it was a TV show- but Angelo Badalamenti’s music is SO iconic and mysterious that it makes the list.

Hero- How many modern classical composers can you recognize from a few notes? I love Tan Dun for that reason- he’s got such a personal style. His score for Crouching Tiger, Hidden Dragon was a huge hit, and I think this one is just as great- it just wasn’t as well received because the movie was too philosophical for most martial arts fans. Itzhak Perlman is the featured violin soloist.

The Matrix- Don Davis did a brilliant job with this. I’ve watched a bunch of these fight scenes on YouTube recently, and the music and sfx are brilliant at uniting and pacing these scenes, and making them look cool. It’s no accident everybody wants to sound like the Matrix now.

Star Wars- Kids today grow up knowing John Williams’ score for Jurassic Park, but for me, it’s still all about the Star Wars movies. I just love his orchestral writing- it’s so emotional. Sure it’s cliche if you’ve seen it a hundred times- but you wouldn’t see it a hundred times if it wasn’t good. And as long as we’re on John Williams, his score to the first Indiana Jones movie was pretty iconic as well.

Hmm… what else…

James Horner is a composer I want to listen to more. I remember being very moved by the music to Glory when I saw it as a kid- picking it out on the piano afterwards and reliving the movie. And he also wrote the music to Sneakers, one of my most-times-watched movies, which features saxophonist Branford Marsalis in a sort of cool-jazz chill-out vibe.

Probably my oldest favorite movie is Spartacus (which isn’t even that old, I guess- it’s from 1960). I used to see it on TV all the time, and Alex North’s music is awesome. His “Love Theme from Spartacus” has been recorded as a ballad by lots of jazz musicians, but I think North’s original scoring is still the best version.

I’m always carrying paper tickets to the premiere with me, to sell to anyone who wants to come, so those of you who are local, hit me up- they’re $11. The premiere, as I wrote below, is at 7:00 PM, Friday March 6, at the Tempe Center for the Arts. See you there?